Videoage International September 2023

10 September 2023 Road to the Fall Markets (Continued from Cover) executives will reconvene between the Indian Ocean and the South China Sea for Singapore’s ATF (December 6-8). The whole circus-like caravan will involve some 8,000 people, with the highest number reached by the “mother” of all markets: MIPCOM. After that, in descending order, we have estimated (based on last year’s figures) to have ATF with 3,000 people, MIA with about 2,250 participants, MIP Cancun with 1,000, and the AFM with fewer than 900. The overlaps could, at the most, involve an estimated 10 percent of the attendees, as well as 20 percent of the exhibiting companies. Many of the same people and the same companies will participate at most of the events — although probably not all. The industry is expected to invest an estimated $50 million for the five aforementioned markets, with the hope that those markets will spearhead business in the order of $1 billion. Setting the tone for all the fall markets is, of course, MIPCOM, and there are many reasons for this. First, sales executives can follow up on conversations initiated in Cannes, or to reach clients who did not attend MIPCOM (like, for example, many LATAM buyers). Second, people can initiate sales that simply couldn’t happen at MIPCOM or even decide to reduce future market attendance due to MIPCOM overspend or underperformance. It is expected that this upcoming MIPCOM will come close to pre-pandemic years in terms of participation, engagement, and results. As for the quality and quantity of attendees, that can generally be gauged by the topics of its conferences and seminars, which can determine the level of engagement. Bland topics typically translate into a lack of interest on the part of attendees, and recurrent issues covered again means reduced resources. Even though the success of MIPCOM is mostly due to its good market-timed calendar dates, and not for its conferences, MIPCOM was fortunate to have secured the participation of Gerhard Zeiler, president, International Warner Bros. Discovery, as one of its keynote speakers. The TV executive has experience in content acquisition and sales in both Europe and the U.S. An example that links markets’ conference topics with their success could be found in the apparent disinterest that MIPTV organizers had in leveraging the power of the developing new season that unfolds right around April’s MIPTV dates — although this decision was possibly made due to a lack of appeal from top-level TV executives. Either way, as a result, the market wasn’t all that successful. Conversely, the conferences at MIP Cancun were interesting (if poorly attended), and the event was a success. At the Asia TV Forum, on the other hand, the conferences were mostly domestically focused, and indeed the market took on a localized tone. In terms of business expectations, in early August, this 39th annual MIPCOM already boasted 350 exhibitors, as well as 16 countries with national pavilions. In VideoAge’s MIPCOM preview story, scheduled for the October 2023 Issue, the publication’s contributors in New York and Los Angeles will report on a survey of 20 content distribution companies from 10 countries regarding the following topics: Do you expect this year’s MIPCOM to return to the success of its pre-pandemic years? Do you think that the Hollywood strikes will ultimately benefit indies’ sales? Are you satisfied or disappointed about the topics presented at this year’s MIPCOM conferences? What would you rather them cover? What is the main issue that concerns you right now with regard to MIPCOM? Will MIPCOM’s results determine your involvement/presence at other fall markets? Last but not Least... NAB Show New York Not mentioned among the fall markets highlighted in the adjacent article is another TV trade show — but one that focuses on hardware, The NAB Show New York. But, that doesn’t mean that the show isn’t a factor in the big trade show picture. Indeed, it is especially important this year since it doesn’t conflict directly with MIPCOM as it did last year (when NAB started on October 19, right in the middle of MIPCOM, which was held October 1720, 2022). Organized by the Washington-based National Association of Broadcasters, the market and conference is taking place October 24-26, 2023, at New York City’s Javits Center, with the exhibition starting on October 25 — five days after MIPCOM and five days before the AFM. Last year’s NAB New York was attended by some 9,500 film and television executives from around the world, and featured 245 exhibiting companies. Even though there aren’t many overlaps among exhibiting companies, many of NAB’s conference topics will be the same as at panels during content markets, such as streaming issues, linear television woes, AI, and data collection. New this year at NAB will be a workshop on career development. Led by industry expert Evan Shapiro, the full-day SkillUP workshop — scheduled for October 24 — will teach how to pivot into new opportunities and transform careers into thriving businesses. Oddly, as per mid-August, the hot topic of the dual Hollywood strikes hadn’t yet come up on any of the show’s program websites. It’s possible that the topic is simply too “hot” to handle for both the organizers and the potential panelists. Warner Bros. Discovery’s Gerhard Zeiler will deliver the opening keynote address at MIPCOM in Cannes.

RkJQdWJsaXNoZXIy MTI4OTA5